Sábado 16 de Julio, 12.00 a 14.00. CAMARÍN DE LAS MUSAS - Radio Nacional Clásica FM 96.7
Invitado: Oscar Edelstein, pianista y compositor. Conducción: Gabriel Senanes Pistas: ”Omega 2 Omega 3” (ENS), y “El Río" y “Luciérnagas con Sombreros Mexicanos” (Voz: Deborah Claire Procter y Piano: Oscar Edelstein) OSCAR EDELSTEIN: Compositor, pianista y director argentino, conocido por su originalidad e inventiva, es considerado con frecuencia liderando la vanguardia musical desde Latinoamérica. Ha recibido encargos de óperas modernas y obras sinfónicas no convencionales por parte del Ministerio de Cultura de la Nación, Teatro Colón de Buenos Aires, la Orquesta Sinfónica Nacional de Argentina, la London Philharmonic Orchestra, el grupo de percusionistas suecos Kroumata y la Basel Sinfonietta, entre otros. Sus performances con el Ensamble Nacional del Sur (ENS) han sido consideradas por la crítica especializada como "el evento musical más relevante de la última década en la Argentina", "el punto más alto de la producción experimental del continente" o "un hito histórico en la producción de vanguardia.” Su trabajo catalogado y publicado es crucial en el mapa de la música contemporánea latinoamericana y la performance. OSCAR EDELSTEIN: Composer, pianist and director, know for his originality and inventiveness, he is frequently considered as leading avant-garde music from Latin America. He has received commissions for modern operas and non-conventional symphonies from the Ministerio de Cultura de la Nación, Teatro Colón (Buenos Aires), the Orquesta Sinfónica Nacional de Argentina, London Philharmonic Orchestra, the Swedish group of percussionist Kroumata and Basel Sinfonietta, amongst others. His performances with the Ensamble Nacional del Sur (ENS) have been considered by specialist critics as "the most important musical event of the last decades in Argentina”, “the highest point in the experimental production of the continent" and “historical landmark en avantgarde production.” His catalogue of work and publication is crucial in the map of contemporary Latin America music and performance.
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Dino Saluzzi y Oscar Edelstein - dos tradiciones distintas para una misma manera de sonar argentinos en Las Fantasías Del Caminante con Santiago Giordano por la por la Radio Nacional Clásica (Argentina) FM 96.7
by DEBORAH CLAIRE PROCTER  Come along - July 12th - 31st 2022 - The High Energy Woman Summit hosted by Slavomira Harcegova (Feng Shui Specialist & Coach) — to inspire women to empower themselves to be leaders in their lives and in their communities; and to support them in taking action that is spiritually and intuitively guided and on a practical level, help them to have more energy, focus on the most important things they need to learn, to step into their full power, and become the very needed heart-led female leaders. Speakers include: Deborah Claire Procter (Artist & Communications Coach), Regina Robinson (Inner Confidence Strategist), Jennifer Lyall (Intuitive Business Mentor), Julia Felton (Business Wrangler), Kaluwa Ghalikar (Empowerment Coach), Mary Alice Arthur (Story activist), Tamar Nelson (Kaizen specialist) & many more. Being instead of doing is a vital part of a successful and happy life, so these talks will give some of the hints that can lead you to that place. When we are inspired we can inspire others so I'm delighted to be one of the speakers. #thehighenergywoman #arsvivendi #joy #vitality #slavomiraharcegova #freesummit #multipotentialite #multipassionate #onlineevent #womenleaders #deborahclaireprocter Get our PDF with communication and presentation skill tips. You can get it here. You'll get daily emails with more tips and thoughts. N.B. If you do not see the confirmation in your inbox, check your spam, junk or promotions folder. by DEBORAH CLAIRE PROCTER  Mondays can be challenging, overwhelming, un-nerving...
It can help to imagine that you can drop all that tension and un-wanted thinking. "Drop it" - like you'd say to a stubborn dog or an angry friend. Soften your self-judgement. Throw away the perfectionism. Then - Keep your eyes open... Keep all your senses open. I truly believe that the key to productivity is to key into your creativity, your ability to change things around, your urge to look closer, deeper, further - with better attention and more love. That observation skill isn't only through the eyes - it's with every ounce of your being. Then is the moment that we can feel adequate to whatever task to hand in a world that is tugging at our sleeves in all directions. Then you'll know that every second of your life is the best it can be for now and that this Monday will be a good one. .
by DEBORAH CLAIRE PROCTER
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CLICK ON IMAGE ABOVE I wanted to play with the idea of synthesis, to generate something that I call composition in the moment. Somehow in this disc I tried to make a synthesis in the place of musical collision with Raul. It was there that micro reasons appeared, fragments, melodies, materials that could be developed on one side or another one. The disc has many great little pearls that could be used for a future adventure....I have not met many in the contemporary language, who can read the space and the musical situation as Barboza reads, that can understand tImbrically as he understands, and that can move back to go forward like he does. That is modernism. Barboza is the new thing.
Oscar Edelstein in interview with Gabriel Plaza, La Nación
"Dos Improntus" is a magical duo between accordion and piano recorded in Buenos Aires in 2006 by emblematic Argentinean musicians Raúl Barboza and Oscar Edelstein.
Filled with sensitivity and intuitive playing these two musicians dominant in their own genres, search with each note for bridges between the classical, the contemporary and the popular. Composer Oscar Edelstein’s motivation in asking to record with him was part of a desire to create a synthesis of the classical and the popular, and to make an exchange where each could understand something new about the other. It was also for Edelstein an homage to his father who introduced him to Barboza’s music as a child, as well a search for the “revolutionary Barboza.” In this unique meeting, in February 2006 between composer and pianist, Oscar Edelstein, and accordionist, Raúl Barboza, both musicians poured every drop of their history and experience of their instruments into one extremely focused recording session. The result is quixotic music that weaves like a conversation. The intersection of the skills of these two virtuosic players brought something entirely new to each instrument. Music critic, Federico Monjeau entitled his commentary in the disc notes, "El oido virtuosista" or "Virtuosic Ears" and described how Barboza and Edelstein meet in a strange musical territory where they exchange places as virtuosic player and composer. La Nación called it “a collision of two musical planets” and in his interview with the paper Edelstein explained, “No matter how strong I am within the field of contemporary music, I have always felt like a popular musician who studied. I always take care to look at music from the point of view of sensitivity and emotion.” As a powerful artistic interchange between very different musical perspectives the disc seems as relevant today as it did when it was recorded in 2006. The artwork for the album is from original paintings by famous Argentinean artist, Fermín Eguía, who made the watercolours in response to listening to the music. Oscar was very generous. He showed me what he did in the piano and we directly went to record. As I didn't want to “land the first blow”, I put myself behind the horse and cart, because I knew that it was going to carry me well, and that if we fell, we fell together. By force of intuition I could get an inkling of what was going to happen. I imagined his paths, his silences, his strengths...
Barboza in interview with Pablo Gianera, Perfil
RAÚL BARBOZA, born in Buenos Aires, is the son of a chamame artist of Guaraní origins Raúl Barboza is recognized as a chamamé artist of international status. Chamamé is an Argentine folk music (sometimes called the Corrientes’ Polka) and Barboza was one of the first to introduce it to Europe. He is an outstanding player and his recordings have received several awards; Grand prix du disque de l’Académie Charles Cros, four Clefs Evénement Télérama, one Diapason d’Or, and one Choc Le Monde de la Musique. Astor Piazzolla was just one of the many fellow musicians who have acclaimed his playing. He regularly tours in Argentina, Canada, Japan and many European countries. He has recorded over thirty albums. One of his most famous tracks “Tren Espresso” (Express Train) uses all his virtuosity to take the listener into
Raúl Barboza and Oscar Edelstein realize a project together that breaks barriers, genres and prejudices.
La Nación
OSCAR EDELSTEIN is an Argentinean contemporary composer of great reputation (winner of the prestigious national Award for Artistic Achievement which is present by unanimous decision of the Argentinean Committee of the National Fund for the Arts to personalities that have contributed their talent to the benefit of the national culture) from the province of Entre Ríos which means “between rivers”, something that is evidenced by the strong presence of the river Paraná in Edelstein’s hometown of the same name. In the context of Edelstein’s work with Barboza these shared connections with a region are an artistic fundamental, especially as in Tupí, Paraná means “like the sea” or “as big as the sea”, and the river eventually reaches the Atlantic after running through Paraguay, Brasil, Uruguay and Argentina which means that like the river the music of this region is touched by many influences and folk traditions where the songs are in Spanish and Guaraní. The Paraná is the eighth longest river in the world and the region called the “Litoral” (Spanish for coastal) has given birth to “música litoraleña” such as chamamé, la polka correntina, Vals Criollo and many others. Therefore however much Edelstein has developed his history and notable reputation as a contemporary composer, it is this backdrop on which he can also count.
by DEBORAH CLAIRE PROCTER
Love this one.
The miracle of movement. ​ The miracle of the foot. ​ #MarthaGraham #dance #miracles #feet #balance #lifeissweet #feelinglucky #multimedia #artist #artswales #deborahclaireprocter #lifechoices #moveforward #timeisprecious #timewellspent #coach #mentor #clarity #inspiration #everydaycreativity #gratitude #abundance #affirmation #intuition #appreciation #clearinsight #clearinsightproductions #newwaysofbeingdoingknowing by DEBORAH CLAIRE PROCTER  Two songs, one saxophone quartet, an album of piano, a quintet (sax tenor and alto, two cellos, bass clarinet, double bass) - all compositions of Oscar Edelstein, all with musicians with whom he has collaborated for many years including me as a vocalist, and others like saxophonist Martin Proscia with whom many times we have performed a live trio of voice, saxophone and piano; Soko Rodrigo who has performed as a guest artist with the Edelstein's Ensamble Nacional del Sur; and Edgardo Palotta who has worked as the musical director on various operas composed by Edelstein. Comparisons in music are always a dis-service however in the past there have been one's made such as to the likes of Charles Ives, Varese, Zappa... Think poly-rhythms, landscape, texture, atmosphere, expressive, poetic... Big shout out to the amazing sound engineer Ricardo Sanz from Soundrec in Buenos Aires, and to artist Elly Baltus at Patina Publishing (Amsterdam) for her constantly inspiring vision, friendship and support. ======== All tracks now live and available in Bandcamp: 🎧🎧 Edelstein possesses a formidable pianistic technique. Rivers & Mirrors is essentially a theatrical experience, with sound & images created - live & recorded - as a response to the images & ideas behind the poem, El Rio by Ortiz. The interaction of live & recorded performance is very effectively achieved & the timing impeccable. The piano soundscape is quasi-orchestral & quite striking..The wordless vocals are brought in gradually & become inseparable from the images. There's an intensity to the work that rarely loses its edge. Ray Picot, Iberian & Latin American Music Society The Río event left a strong impression in my memory. It's one of those rare performances in which you feel that something has been added to your life, some new insight, a different kind of association, or the sheer pleasure of having great music, images & poetry combined in a subtle way. Edelstein ́s piano playing & improvisations are really quite extraordinary. I've heard many live piano recitals & his abilities do stand out. Gloria Carnevali (ex Director Bolivar Hall, London) Taking inspiration from myriad genres, the composer- cum-director-cum-pianist is one of the most innovative musicians around. Sophie Hern, Metro Cardiff “El Rio” and “Mariposa Eléctrica” - two songs both of which feature the voice of Deborah Claire Procterwith the piano by Oscar Edelstein 🔶 DEBORAH CLAIRE PROCTER: Voice 🔶 OSCAR EDELSTEIN: Composition & Piano ------------ “La Calesa en la Luna” - commissioned and played by Argentinean saxophone quartet, Tsunami 🔶 ALEJANDRO SORAIRES: Saxo Soprano 🔶 GRISELDA ACQUISTA: Saxo Alto 🔶 MARTÍN PROSCIA: Saxo (Alto & Tenor) 🔶 MARIANA BRONDINO: Saxo Barítono ------------ "Piano Peludo Flotante” - an album of piano composed and played by Oscar Edelstein 🔶 OSCAR EDELSTEIN: Composition & Piano ------------ “5 Invenciones Breves Sobre Cristales y Metrónomos” - a Quintet (sax tenor and alto, two cellos, bass clarinet, double bass) 🔶 SOKO RODRIGO: Flauta 🔶 MARTÍN PROSCIA: Saxo (Alto & Tenor) 🔶 VIOLETA GARCÍA: Violonchelo 🔶 GUIDO KOHN: Violonchelo 🔶 EDGARDO PALOTTA: Clarinete bajo / Contrabajo ------------ "La Suerte y La Pluma" - quintet and saxophone quartet 🔶 SOKO RODRIGO: Flauta 🔶 ALEJANDRO SORAIRES: Saxo Soprano 🔶 GRISELDA ACQUISTA: Saxo Alto 🔶 MARTÍN PROSCIA: Saxo (Alto & Tenor) 🔶 MARIANA BRONDINO: Saxo Barítono 🔶 VIOLETA GARCÍA: Violonchelo 🔶 GUIDO KOHN: Violonchelo 🔶 EDGARDO PALOTTA: Clarinete bajo / Contrabajo - all compositions of avant garde Argentinean composer Oscar Edelstein. https://oscaredelstein.bandcamp.com/video To the singer Deborah Claire Procter it is only necessary to be grateful to her for the opportunity the audience celebrated of re-discovering the incomparable and inimitable singularity of the beauty of the human voice. Her intervention [...] was simply dazzling for the technical solvency in the range and her versatility in having intervened in a work that demands superlative competences in order to translate the complex interior world that it expresses. Marín, El Diario ...this strange dialect that the beautiful voice of Procter articulates, that seems to border on an articulated language, with the effect of the almost figurative swarming of these tiny words, more than with Pollock, the music of the ENS seems to connect with certain landscapes of the artist Eduardo Stupía. Monjeau, Clarín ...the formidable Welsh singer Procter (her voice acting as an instrument) ...the ensemble sees an incredible intervention of Procter, a singer that's a kind of lucky cross between Cathy Berberian and the free jazz vocalist Lauren Newton. Garcia, El Amante
A big pleasure to have this opportunity to talk about art and influences with Aekta Kapoor in New Delhi.
There are so many connections that I have to India that it was hard to know where to start! Hopefully I give a snapshot of some of the many experiences that have inspired me as a person and as an artist. Aekta has a fantastic curiosity and I felt honoured to have been invited as a guest. Link to the full interview is here. ​I look forward to hearing your thoughts. Deborah Claire Procter
I love it when a plan comes into action but why does it always take much longer than I imagined? Is it just my impatience and wishful thinking which always makes me imagine it will take less time?
There must be a project management art to calculating time scales. Also it feels like everything is a moveable feast these days. What is the secret to time planning? Any excuse to make more lists and notes is fine by me!! Deborah Claire Procter #projectmanagement #planning #journals #notebooks #lists |
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